gothic fiction

Issue 4: Through the Grating

Issue 4: Through the Grating

And the secret garden bloomed and bloomed and every morning revealed new miracles. —Francis Hodgson Burnett, The Secret Garden

A secret garden.

Can there be anything more tantalizing? The very idea imbues the toil of gardening with romance and is one reason why that Gothic tale, beloved in my girlhood, still captivates me. So, imagine my delight when I discovered the thorny stalks of a rose while battling weeds and prickly vines behind our Victorian house. I think my young son could sense my excitement, and he called it “the secret rose.”  

What color would it bloom? we wondered, anticipation buzzing.

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Issue 2: Through the Grating

Issue 2: Through the Grating

Here we are at the end of March—a month the poet Swinburne describes as “master of winds, bright minstrel, and marshal of storms.” *

Poets have been writing about the month of March for centuries—Wordsworth, Bryant, Dickinson, Swinburne, Neruda—whispering nuanced lines that tug at my thoughts and shape my daydreams.

My house is a poet.

I stand in the living room before bay windows much bigger than me. Below, the woolen mill’s hoary, industrial steam puffs and curls like the color of a sheep’s fleece. While over the naked hills, the March light shines soft and pink. A tease of blooms still asleep in flower beds.

But these windows have been awake and watching for 142 years. They’ve seen many gleaming skies—undeceived. For their glass is cold with drafts that whisper, remember them.

Issue 1: Through the Grating

Issue 1: Through the Grating

I’m Maria—writer of atmospheric, Gothic stories and lover of old houses. Despite their endless surprises (or perhaps because of them), I feel most at home living in an old house. They’re an adventure. A daily oxymoron: stalwart and quirky; enduring and unpredictable.

Inspiring and frustrating and not always comfortable, they’ve shaped and nurtured me, as I’ve cared for them.