victorian houses

Issue 3: Through the Grating

Issue 3: Through the Grating

“Have you not wondered at our extreme difficulty in finding our way around?...Time after time we choose the wrong doors, the room we want eludes us.”—Shirley Jackson, The Haunting of Hill House.

My house has rooms that play hide and seek with me. Rooms that are so obvious from the outside of the house. One has floor-to-ceiling bay windows and the other, literally projects off the house, having once been a large balcony. Yet, once inside, the house hides them.

I remember when we first moved in, I often found myself walking in circles looking for a room I couldn’t find, but knew was there. An unsettling feeling, especially for a new mother. Imagine, for a moment, the idea of feeling lost at home. Yet, I’ve never felt frightened, for unlike Hill House with dark, snaring intentions, my home merely teases me like a capricious child.   

It’s like this—up the turning stairs, a narrow passageway branches off the main corridor and leads to my writing room. Beyond, the little hall opens to an alcove with a long, mullioned window. This nook deceives me into thinking it’s a dead end. From the hallway, the room is hidden from view, until I round the corner and step deeper into the alcove. Sometimes, I still get tingles of excitement when I find it.

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Issue 2: Through the Grating

Issue 2: Through the Grating

Here we are at the end of March—a month the poet Swinburne describes as “master of winds, bright minstrel, and marshal of storms.” *

Poets have been writing about the month of March for centuries—Wordsworth, Bryant, Dickinson, Swinburne, Neruda—whispering nuanced lines that tug at my thoughts and shape my daydreams.

My house is a poet.

I stand in the living room before bay windows much bigger than me. Below, the woolen mill’s hoary, industrial steam puffs and curls like the color of a sheep’s fleece. While over the naked hills, the March light shines soft and pink. A tease of blooms still asleep in flower beds.

But these windows have been awake and watching for 142 years. They’ve seen many gleaming skies—undeceived. For their glass is cold with drafts that whisper, remember them.

Issue 1: Through the Grating

Issue 1: Through the Grating

I’m Maria—writer of atmospheric, Gothic stories and lover of old houses. Despite their endless surprises (or perhaps because of them), I feel most at home living in an old house. They’re an adventure. A daily oxymoron: stalwart and quirky; enduring and unpredictable.

Inspiring and frustrating and not always comfortable, they’ve shaped and nurtured me, as I’ve cared for them.